Megan

Page 10

I am currently working on a young adult dystopian novel, The Colony, set in a future where the Earth has all but been destroyed and war is brewing between the survivors that were left behind on their dying planet and the privileged who had the means to escape. When not writing or reading, I enjoy eating cupcakes, snuggling with my cat, Arthur, and drinking tea. Alright, who are we kidding. I do these things while writing and reading, too.
181 articles written by Megan

As you may have read in last Tuesday’s post, The Light at the End of the Never Ending Tunnel, I was nearing completion of my first draft. Well guess what? I finished it. Yup, that’s right. I found the ending and stopped upon arrival. Of course, now comes the hard part – the Editing stage.

Editing – a Love/Hate Relationship

I’ve read a lot about the editing process in the blogs I follow. So I can guarantee you, I have not been looking forward to this stage. While I’ve been dying to finish draft one, I’ve been dreading the reward – editing. But in reading through blogs, I got a really good suggestion from several sources – read through your first draft as though you are reading a book. Do not start editing or adding content. Just read through it to see how it works as a real book.

Easier said than done, I know. And this is where my Kindle comes in.

After completing my draft, I set out to put my WIP onto my Kindle. This turned out to be extremely easy (click here for instructions). Basically, you get an email account for your kindle then you email the file to the account. For a very small fee (I paid $0.15), Amazon will convert your ‘book’ into an ebook. It then magically shows up on your Kindle when you connect to the internet.

The formatting is not ideal – my paragraphs are not indented, my headings are all wrong – but I can pick up my Kindle and read my words the same way I would read any other book. Plus, I cannot edit while on the kindle.

I am getting a little frustrated with the no editing thing. I read some sentences and cringe, or I see a typo or a place where I inserted the wrong character’s name. And the writing, oh the writing is so loose and I am just dying to tighten it up. But I also see the sense in this plan.

Why don’t I just get out the red pen and go to town?

Before waisting my time editing, I need to make sure the story actually works. I need to know how it is flowing, what things I abandoned halfway down the road without meaning to, or where I can add things that I decided halfway through to run with. By reading it all the way through, I am experiencing it the way a reader would experience it. And if you recall from my post last Tuesday, the reader is who you ultimately want to please.

So far, not so good

I know it is a rough draft, a point I keep reminding myself of, but so far, I’m not impressed. In fact, I’m a bit bored with my writing. Part of this could be that I already know how it will end, but part of it too is that I got lazy with word choice and my sentences are too wordy. But you know what, that’s alright. Because what I got down in the first draft was my story. The details are all there, waiting for me once I can get past the poorly constructed sentences. And once I see how the content works, I can go back and spend hours searching for the best word or the most clever sentence structure. But until then, I’m just not going to worry about it. I’m reading for content, and content only. The rest can all come into play in the next drafts. This read-through is all about making sure it works.

Why?

Without the bones of a good story, no amount of fancy writing will save your book. This is the reality of being a writer. And so I’m willing to suck it up, cringe at the writing I would never pay money to read, and focus on the content.

How do you edit? Do you pull the red pen out and start marking everything up, or do you take your time, immerse yourself in the story first, focusing on that main element, before going crazy with the edits?

Matched, by Ally Condie

Rating: 5 out of 5

Cassia lives in a world where Society makes all of her decisions: what to eat, what to study, what career to undertake, and, most importantly, who to marry. And Cassia is fine with this. She believes in Society’s decisions, and so when Xander’s face appears at her Matching Ceremony, Cassia accepts that he is her best option for a future mate. Until Ky’s face appears on her chip. Although she is told that it was merely a glitch, that Xander is still her match, Cassia cannot stop thinking about Ky and wondering ‘what if?’. As she questions her Match, Cassia also starts to question Society as a whole and for the first time in her life, she wonders whether Society has a right to control her life.

For starters, the cover is amazing. And once you’ve read this book, you will see how appropriate it is too. If there is any book you are going to judge by it’s cover, let it be this one. Whoever designed this cover, I want them to design the cover for my future books. But moving on to the actual story.

At the beginning of the book, I was reminded of DuPrau’s City of Ember. Cassia’s world is ordered in a similar way to Ember. The citizens are told what to do and they do it. The only difference is that in Cassia’s world, the decisions are made by mathematical equations and super computers. Probabilities determine the best course of action.

As the book progressed, it diverged from City of Ember. Matched is intended for an older audience. The characters and their conflicts are more mature. The consequences more dyer.

Condie does an excellent job creating this new world. The tension and the need to conform to the rules set forth by society drip from the pages. I could clearly see the world; I felt anxiety for the characters, about the decisions they were making, and the ones they were not making.

In addition to the world creation, I also enjoyed the character development. Most characters, even secondary characters, grew as the book progressed. This helped to create a dynamic story. So often in books only 1 or 2 characters show real growth, but I could see the change in many characters as the hold of Society began to slip, as more people began to question the role of Society.

The interactions between the characters was also very well done. There were back stories and different levels of tension, and everything was revealed slowly, adding to the reality of this world and these characters.

All in all, I thought this was a wonderful book and I cannot wait for the sequel.

Ok, I know you’ve heard this from me before, but I am so, so close to finishing my rough draft (and by rough, I mean ROUGH). And I really mean it this time. I’m coming in just at 80,000, I’ve gone through a story arc and I’ve set up the action for the next books in the series. The only problem is, where do I stop?

You’d think since I’m writing a series that this would be the easy part. Can’t I just stop anywhere? Unfortunately, it’s not that easy. In fact, finding an ending for a series might be harder than finding an ending for a single book.

When reading a series, you want to feel satisfied by the ending of the book, but still eager to read the next book in the series. You need to feel like some things were resolved but that there is still a bigger picture in need of a resolution. In trilogies, the second book doesn’t always follow this pattern, but the first book almost always does. If you end too abruptly and leave too many ends untied, your readers may get frustrated. Frustrated readers often times equal lost readers. Losing readers is never a good thing.

So how do you find the perfect ending?

If I had the answer to this question, I’m sure I would have written a million books by now, or at least more than I’ve written to date. So what am I banking on then? That I’ll just know.

My plan is to stop when I think it’s done, then read through it and see how the ending leaves me – do I feel satisfied, disappointed, eager to read the next installment? Based off of my reaction, and eventually my beta readers, I should (hopefully) be able to gauge where it should end. I’ll keep you posted on how it goes. And fingers crossed that I finally finish a first draft.

A few weeks ago I read in a woman’s magazine (not sure which one) that it takes 66 days to make something a habit. The article was talking more about dieting, or exercising, or flossing your teeth. But in reading it, I couldn’t help but wonder if writing couldn’t also be applied to this.

I know I’ve talked about 750words.com before. Since my last post on the subject, I’ve been using it a lot – I’ve entered almost 20,000 words into the site. And I’ve got to say, it’s growing on me.

Making Writing a Daily Habit

Since February is the shortest month of the year, I decided to join the 750words.com 1-month challenge, where I will write 750 words a day for the entire month. I figure if I succeed, I will have reached day 28 in the 66 days needed to form a habit. And once I’ve hit my 28th day, what’s to stop me from writing for 38 more days? And if I manage to do this, will I have succeeded in making writing a daily habit? I hope so.

So far I am on day 7. Not long, I know. But I already feel the need to sit down and get my writing done. And it really is surprising how fast it is to write 750 words. My best time, earning me the Speedy Typist badge, is 12 minutes, but I average closer to 15. In 15 minutes a day, I can write 750+ words. Not too shabby.

My 750 words are not stellar, I know this. But I’m still on the rough draft stage of my book (and I’m almost done). My only concern with the 1-month challenge is that I will finish my first draft before the month is over. But then, is this really a bad thing?

Do you think I can finish the challenge? Do you think I can turn daily writing into a habit? Have you turned daily writing into a habit? How do you fit your writing time in? Is 15 minutes a day enough time? Or do you need more time to write a first draft?

Across the Universe, by Beth Revis

Rating: 3 out of 5

Amy, 17, is cryogenically frozen so that she can join her parents on a special mission to a new planet, one that will take 300 years to get to. 50 years prior to their scheduled landing, Amy’s cryo chamber is unplugged. Not only does she almost die, but she is now stuck on the ship, unfrozen and an outsider. When additional ‘frozens’ are found unplugged, Amy teams up with Elder, next in line to rule, to find out what’s going on before anyone else, including her parents, dies.

There was a lot of hype leading up to the release of this book, and I was incredibly excited about it. The concept alone was enough to make me rush out and buy it. But as I started reading it, I found my excitement ebbing.

The story is well-developed and the world is richly described and convincing. I guessed at some of the twists, but the majority of them came about in unexpected ways and with unexpected consequences. The one element that took away from the story was the use of voice.

Across the Universe is told in first person, but split between two narrators – Amy and Elder. I did not feel that either voice was developed enough for me to easily identify the speaker. I had to keep flipping back to the beginning of the chapter to see who was telling the story and I even thought Elder was a female for several pages into his first chapter. I’ve read other books where first person narration is split among two characters. For this to work, the voices need to be very well-developed (check out Leviathan for an excellent example). Because this fell short for me, it took away from the story. I kept getting distracted, trying to remember who was talking.

Despite my issues with voice, I thought the story was original and intriguing. Not only does Revis tell a good story, but she alludes to some deeper issues that make you think. I can see several English class/book club discussions coming out of this book.

Do I think you should give this book a shot? Yes. It’s worth the read.

You may be asking yourself, what’s with all the book reviews lately? Isn’t this a writing site? Weren’t there only supposed to be 2 reviews a month?

And you would be right to ask. This is, after all, a really good question. Let’s step back for a moment. Think about any expert in any field. If you work in technology, you probably keep up-to-date with the current trends in technology. If you are a scientist, I bet you read new journal articles in your area of interest. Well, the same is true for writers.

Sure, a writer could write with no research, but I question how good the writing will be. Writing is about more than just good grammer. It is about being a good storyteller. And what better way to research this craft than to look at other storytellers, to see what works and what doesn’t? To see how they tell a story? Not that you should copy someone else’s style, but picking up a few tips here and there is definitely not a bad thing. And that leads me to the recent book reviews.

It’s not that I’ve started reading more. I’m reading as much as I always have. But I’m thinking more about what I read. And writing reviews helps me to think about the books even more. Plus, by sharing my thoughts on a book, maybe I will help other writers out there. If you are struggling with voice, what better way to understand it than to read good and bad examples? If you want to get better at character development, why not check out books with a strong focus on this?

Of course, there is another reason to share my reviews. Every time I share a review, I may be introducing one of you, my readers, to a new author or a new genre. And what could be better then finding new, exciting things to read?

If you have found any new, exciting reads I’ve missed or just not gotten to yet, let me know. Nothing beats a good read.

Several months ago I was reading an interview with Maria V. Snyder (I can’t remember where I read it). In the interview, she shared that originally she had intended Yelena, the Heroine of the Study Series, to have a relationship with the Commander, not Valek. But in the course of writing, she realized this wasn’t meant to be.

Characters have a mind of their own in matters of love

In my current WIP, I set out with a lovely outline detailing how my MC would come to love the intended love interest. But as I’ve been writing, there’s been a complete lack of chemistry. Zero emotion. They don’t hate each other, but they don’t like each other either. They are completely indifferent. So how am I supposed to make them like each other, let alone love each other?

As it turns out, my MC made up her own mind and, out of nowhere, I suddenly realized that sexual chemistry had been building between her and a minor character, and I realized that he really isn’t a minor character but rather the obvious love interest and ideal hero. And in realizing this, everything fell together. Several of the plot holes, the way to create a romance that an audience will like, everything finally made sense.

Without even realizing it, I’ve already written several scenes full of sexual tension. And the new love interest is extremely likeable. I’d go as far as to say that he’s lovable. And I’ve already built in conflict for the relationship, reasons why he shouldn’t fall for my MC and reasons why she should definitely not be falling for him. It really couldn’t have worked out better if I had sat down and written an outline. Oh wait, I did that and my outline love story flopped.

Let your characters run wild

I know people talk about this a lot, but sometimes, your characters do unexpected things. They may be fictional, but in our subconscious, we know what will work, and this comes out through our characters doing something we, the writers, did not foresee. And you know what, it’s actually kind of exciting when this happens. It makes the story feel more dynamic, more real. And personally, I’m a big fan of letting my characters run wild.

Do your characters do things you don’t expect? Do you give them free reign? Or do you make them conform to what you planned for them all along?

Want to read more about creating a romantic relationship? Check out this post from Dark Angel’s Blog, The Essence of Attraction.

January is almost over, meaning we are about 1/12 of the way through 2011. And so far 2011 is shaping up to be a pretty busy year.

In 2011, I’m planning the following:

  • Reading 100 books (I joined the GoodReads group 100+ books in 2011. You should check it out. You should also check out Writer’s Block NZ Blog, where I learned about this GoodReads group)
  • Getting a submission worthy manuscript out the door
  • Running a 5k in April (meaning lots of training building up to it)

And then, of course, there’s going to work every day, my trip to Europe (on it as you read), moving to an apartment with a better view in March, participating in a wedding in May, regularly updating my blog, and all the other things that come with life.

So how to make time for my writing?

I work best under pressure. I’ve always been that way. The reason for this is that being overbooked (a.k.a. under pressure) forces me (and most people) to create schedules. If you know you only have x hours to do something, you find a way to get it done. And that is what I’ve been doing with my writing.

NaNoWriMo helped a lot, reminding me that I can write every day. And now that I am using 750words.com, I’ve found additional help in scheduling my writing time.

I look at writing time the same way I look at gym time. If you get into the habit of doing something at the same time everyday, it no longer seems like work. It becomes something you just do. Similar to making it to your 9-5 every day. If you treat writing like a job, which you need to do if you have dreams of being a professional writer, then you can find a way to schedule it in.

My schedule may be pretty booked. But a little organization and the creation of a routine can make all the difference between finding time to write your first book or spending your days talking about writing a book.

How do you make time for writing? Do you write every day? Do you write at a specific time of day? Do you sacrifice other things to fit in writing time?

Anna and the French Kiss, by Stephanie Perkins

Rating: 5 out of 5 (One of my new favorites)

Anna, 17, is gearing up for her senior year in Atlanta, only to learn that she will be finishing high school at a boarding school in Paris. Anna is less than thrilled to be leaving her friends, family, job, and almost boyfriend behind. But when she gets to Paris, Anna meets St. Clair, the attractive, charismatic heartthrob of the school, and suddenly Paris doesn’t seem so bad. St. Clair quickly becomes Anna’s best friend, but will they be able to overcome all the obstacles in front of them and become more than just friends? You’ll have to read the book to find out.

I was instantly hooked. But I may be a bit bias. Like Anna, I grew up in Atlanta and, just when it seemed like things might finally be falling into place with the boy I had a huge crush on, I was forced to move to Europe. Unlike Anna, my family came with me.

Having spent three years in an International School located in a country where I did not speak the language and of which I knew little about before moving to, I can attest to the authenticity of Perkins’ story. She captured what it is like to be thrown into this type of situation, and how off it feels when you return home. Upon finishing the book, I immediately looked up her information to find out if Perkins’ was the product of an International School. And I was shocked to learn that she was not. More props to her and her storytelling abilities.

Even if you cannot relate to Anna as an American teenager forced abroad, Perkins’ so honestly captures the turmoil of high school relationships, the angst of moving to a new school, the heartache of betrayal and losing a friend, the complex relationships between teenagers and their parents, that this story has universal appeal. Everyone can relate to it on some level. And Perkins’ captures these feelings and relationships so fully that at times, I felt like I had been thrust back into those teenage years.

Take, for example, the following passage describing a trip to the movies with friends (since I read this on my Kindle, I only know the ebook location, which starts at 1309):

“St. Clair coughs and shifts again. His leg brushes against mine. It stays there. I’m paralyzed. I should move it; it feels too unnatural. How can he not notice his leg is touching my leg? From the corner of my eye, I see the profile of his chin and nose, and -oh, dear God – the curve of his lips.

There. He glanced at me. I know he did.

I bore my eyes into the screen, trying my best to prove I am Really Interested in this movie. St. Clair stiffens but doesn’t move his leg. Is he holding his breath? I think he is. I’m holding mine. I exhale and cringe-it’s so loud and unnatural.

Again. Another glance. This time I turn, automatically, just as he’s turning away. It’s a dance, and now there’s a feeling in the air like one of us should say something. Focus, Anna. Focus. ‘Do you like it’ I whisper.

He pauses. ‘The film?’

I’m thankful the shadows hide my blush.

‘I like it very much,’ he says

I risk a glance, and St. Clair stares back. Deeply. He has not looked at me like this before. I turn away first, then feel him turn a few beats later.

I know he’s smiling, and my heart races.”

The moment I read this, I was transported back to the movies as a teenager, sitting next to a boy, uncertain if he liked me, uncertain if I should hold his hand, uncertain if this was a date or just a friendly outing. The way Perkins’ paints this scene is perfect, and the rest of the book depicts the teenage years equally as well.

I cannot express how much I loved this book, or how highly I recommend it. So what are you waiting for? Go get your copy today.

I’m off to Italy for a long weekend of relaxation and inspiration. While I will be without internet, I have gone ahead and scheduled a couple of posts, including a review of Anna and the French Kiss (check it out on Friday).

I think travel is one of the best ways to get inspired. Getting out of your box, even if it’s just to go an hour away, gives you a fresh perspective. It lets you get outside of your head. It exposes you to new perspectives, new settings, new people. All things that are extremely valuable tools for a writer.

Researching through first-hand experience

For a while now I’ve been mulling over a fantasy plot that begins in Pompeii. I can look at pictures and read accounts written by people who have been to the ruins, but nothing works better than first hand experience. Of course, I could come back with a completely different idea, or I could come home with nothing, but that’s part of the fun of doing first-hand research. And what better place to do it than in Italy?

How do you research? Do you travel to find inspiration for settings and character? Do you rely on books and the internet? Or are you able to pull everything from your imagination?