Tips for Writers

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We all get it, some worse than others. But is it really writer’s block? In a post on The Urban Muse, Is it Writer’s Block? Or Overthinking?, the writer examines the real reason behind writer’s block. Perhaps we are not interested in the project at hand, and, like a child being told to do their homework, fall into a mental slump. Or maybe we are over-thinking our writing. Instead of just getting something down and coming back later to revise the content, we worry about getting it just right or obsess about an idea not being perfect. We are so afraid of failure that we do not give ourselves the opportunity to fail.

Sometimes the best cure for me is to take a walk or go for a run. Or if its been a while since I last read my content, I do a reread and mild edits. Usually this happens when I have decided my work is rubbish, and the reread helps me see that its not actually as bad as I thought. Copyblogger recently posted a post about stepping back and putting your work into perspective:

  • Let it rest (at least 24 hours)
  • Read as a reader – I find it easier to do this if I’m reading a hard copy. Something about a hard copy makes it feel more real.
  • Ask for feedback
  • Proofread

Check out the blog for additional details on each suggestion. It was an interesting post.

Another post with good suggestions for ways to break through writer’s block is from Time to Write. And if worst comes to worst, apparently a half hour of exercise can boost creativity, plus it keeps you healthy.

I came across this short list of ways to attract your YA audience, or 5 Rules for Writing YA. The rules are:

  • Convince the reader that the protagonist is one of them
  • Don’t speak down to your readers
  • Read YA novels
  • Don’t worry over whether your book will have commercial appeal. Write first, then figure out how to sell it
  • Forge new paths – don’t be afraid to cross boundaries or create fresh content.

I think the rule I have the hardest time following is the 4th one. I find myself worrying about commercial appeal way too much. I know commercial appeal means nothing if you don’t have a product to sell, but I always come back to the nagging question: “What if I write it and no one wants to buy it?” The truth is, even if no one wants my book now, they may want it in the future since markets are not static. Trends come and go all the time.

Which rules do you have trouble following? Can you think of any additional rules?

How do writer’s deal with voice? I’ve been reading a lot on voice lately (mostly in attempts to solve the never-ending problem of which to use – 1st of 3rd person?). While I did not come up with a definitive answer to my question, I did come across a lot of interesting articles about voice.

So what is voice anyway?

To sum up all of the definitions I found, voice is the personal flavor you add to your writing; it is how you inject your own personality into your writing. Of course, this can be problematic. What if your personality is boring? The simplest solution would be to quit writing, but that is easier said than done. For those of us who love to write, giving it up is no small feat. So can you make your voice more engaging?

The good news is, yes! In this blog post on Inky Fresh Press, 5 tips are listed to help improve your writing voice:

  • Pay attention to the voice in the books you enjoy reading. Describe the voice.
  • Write from a different perspective – instead of writing a scene from the point of view of your protagonist, try writing it from the point-of-view of the antagonist
  • Read your work out loud. Does it sound natural? Does it sound like you? Why or why not?
  • Write a scene for a different audience
  • Write letters to friends. I find that writing journal entries and rereading them to see voice helps too.

Why is it so hard to find your voice?

In a blog post on Rants & Ramblings, Rachelle Gardner discusses the reasons we find voice so hard. A writer’s voice is a personal thing. It is who you are, what makes you unique. But it is so easy to try to be something you are not. We spend so much time putting up a front to our friends, coworkers, strangers we see on the street, and even our families that it is easy to get lost and forget who we really are.

Do you find it hard to stay true to your writing voice? Do you catch yourself copying the voices of successful writers?

Check out this additional post from Inky Fresh Press: What is Writing Voice?

The next best thing to attending the SCBWI (Society for Children’s Book Writers and Illustrators) Conference is reading the conference blog. One blog post caught my attention today. It is an interview with Carolyn Mackler on Creating Characters That Come to Life. In the interview, Mackler stresses the importance of:

  • Thinking about your characters quirks – what makes them special? Does your character twirl his/her hair when nervous? Does he/she trip a lot? Is your character prone to worrying?
  • Reading your books/story out loud so you can hear your characters – the way a character speaks says a lot about who the character is
  • Research – talk to real life people who share traits similar to your character’s. If you’re writing a nurse, talk to a nurse.
  • Imagine what your character’s closet looks like.

The third point was probably my favorite. Usually I try to imagine what a character’s bedroom looks like, but a closet is even better. While a bedroom is private space, people do occasionally wander into them. A closet, though, is completely private space. Are the clothes organized by season and/or color? Does your character use hangers or is everything piled on the floor? Perhaps a secret alter is hidden away in the closet, or a stalker collage? Maybe it is so crammed with things that the door barely opens, like that wonderful scene in Mary Poppins when everything comes spewing out of the closet as the door slams shut (or did I imagine that scene). A closet can reveal so much about a character, bringing that character from words on a page to a living, dynamic being that your readers can engage with.

What questions do you ask about your character to gain insight into his/her life?

I read an interesting article last night called Prime Real Estate. The articles looks at the key areas you need to pay special attention to so as to keep your reader engaged. The prime real estate areas are:

  • The first page of your novel
  • The first paragraph of a new chapter
  • The last paragraph of a chapter

I’d always kept the first page and the last paragraph of a chapter in the back of my mind as important sections, but somehow I’d never put much thought into the first paragraph of a new chapter, but it makes sense. Your last paragraph of a chapter will only keep the reader reading if the first paragraph of the new chapter is equally engaging. Otherwise, the reader will just put the book down, the last thing you want. I know I’ve put several books down and never returned. Now I feel like I should go back and reread the prime real estate parts of books I’ve abandoned along with books I couldn’t put down so that I can see how other writers handle their prime real estate.

This is a question that has been plaguing me for a while – when is it appropriate for me to start looking for an agent. As a first time I author, I have been inclined to wait until the book is complete. After all, if I’m not even sure I can finish it (though I’ve been working a lot harder as of late), how is an agent supposed to know if I’m a waste of time or a sure thing? Not only would the agent be gambling on my ability to craft a good story that people want to read, but they would have to throw into the mix my discipline and whether I could even produce a final product.

But I’ve gotten mixed reviews. I’ve been told that so long as I have three good chapters, I should be good to go, or that I shouldn’t waste my time writing unless I get positive feedback on a query. The following article, Book Writing and Publishing FAQ – Do I Need to Write My Book Before I Try to Get an Agent or Publisher?, made me feel a lot less conflicted. Turns out my initial instinct is the way to go, or at least according to the author of the article. At least that removes the pressure of finding an agent right now and instead allows me to continue focusing on finishing the darn book.

In my attempts to enter the minds of kids, I’ve been spending a lot of time perusing children news sources, which are surprisingly abundant. One recent find was an article in National Geographic Kids, Beelzebufo: A Giant of a Find. Talk about great inspiration. After all, what’s cooler than a frog the size of a beach ball?

In other news, a bear in New Hampshire ‘rescued’ a stuffed bear being held captive by humans. Read about it here.

Finally, a boat made out of plastic crossed the Atlantic.

You’ve gotta love the inspiration you can get from bizarre happenings in the world.

When I was in 8th grade, I showed my English teacher some poetry I had written, thinking it was amazing. I was pretty heartbroken when he came back and informed me that it was “adolescent rubbish.” Those words, while hurtful at the time, stuck with me. Although I was an adolescent, I wanted to write like a grownup, like the grownups whose writing I loved and respected.

YA Does Not Equal Sloppy Prose

I think many YA writers miss the mark when they write for the YA audience. Just because someone is a young adult, or an adolescent, it should not be assumed that they are uninterested in reading adult constructed prose. Quite the opposite, unless teenagers are so very different now than they were when I was one. If you look at the hugely successful young adult books, there seems to be some correlation with the quality of writing and the popularity of the books.

Harry Potter

Take, for example, the Harry Potter series. While these books began at a younger reading level, they spanned into the YA realm. One of the greatest things about these books was that they did not dumb down the writing. Even from book one the plot had twists and the characters were engaging. And most importantly, they did not yell all the time or appear to be in a constantly foul mood. Because the writing and plots were constructed in a sophisticated, though age appropriate, way, the books appealed to a much larger audience, contributing to their success.

Twilight

The Twilight series had a similar appeal. Although many would argue that the writing was less than ideal, the characters were constructed more real than what you see in similar YA vampire books. Whereas many YA vampire books are full of characters who hate their parents and stay out until odd hours of the night or run away entirely, characters that my old English teacher would describe as “adolescent rubbish,” Stephanie Meyers constructed characters who grew irritated with their parents, but still loved them, who snuck out, but knew the consequences. These characters were more real and more sophisticated. Because of these, like with Harry Potter, these books were able to reach a larger audience.

Reading to Stay Current

To stay current with the 6-8 and YA trends, I read a lot of books in these areas, and few of them grab me. The stories that really grabbed me as a child and teenager are stories that I still read to this day, and that still capture me. It is not the nostalgia that grabs me. It is the story. It is because the writers, while writing age appropriate, did not dismiss the standards of good writing. Writing for children and YA should not be viewed as easier. The literary elements necessary for all good literature still need to be there, and the stories that will stick with a person throughout their life are going to be the ones that are well written. And after all, isn’t this what every writer strives for?